Category Archive
The following is a list of all entries from the Every day art category.
Nihonga Day 14
Filed in Every day art, art and faith, in process, in the studio, new work, 7.31.10, 6:37 pm by shansToday, I pushed myself hard. And by hard, I mean I spent 15 hours in the studio – only taking an hour break for coffee. [on days like this, I question my sanity!] But I’m so glad I did it– I knew it was one of my last chances to work in this space and [...]
Nihonga Day 13
Filed in Every day art, art and faith, in process, in the studio, new work, 7.28.10, 8:34 pm by shansSadly, there are only 2 more days left! So we’ve all been working extra hard to try to take full advantage of Mako’s expertise and input, as well as the beautiful studio space on UBC’s campus.
Today,
I pushed myself hard on these 3 pieces again. (My goal is to have them done by Friday evening!)
I added [...]
Nihonga Day 12
Filed in Every day art, art and faith, in process, in the studio, new work, , 12:43 am by shansToday
we showed the class one piece we’ve been working on,
and we had a mini critique session. These are always so helpful and I wish I had one every week!
Then the rest of the day was spent working hard on these 3 panels.
[prepare yourself for a lot of process pictures]
At first, I wasn’t quite sure where [...]
Nihonga Day 11
Filed in Every day art, art and faith, in the studio, new work, 7.26.10, 8:40 pm by shansToday
I sized the inside of a book cover
to prep the surface for working on it later!
And spent some time working on these 3 panels:
adding mica,
and burnt umber,
then spraying water on top to get more texture.
There are plenty of more layers to put down on these pieces, but for the rest of the afternoon I worked [...]
Nihonga Day 10
Filed in Every day art, art and faith, in the studio, new work, 7.23.10, 7:35 pm by shansWe have reached a point in the class where Mako is doing less teaching and we are doing more independent work. So today I spent most of the class time (and much of the afternoon)
mounting these little guys on canvas boards,
and adding layer
after layer
after layer of oyster shell white to these 3 cradled boards.
And finally [...]
Nihonga Day 9
Filed in Every day art, art and faith, in the studio, 7.22.10, 10:04 pm by shansToday
Mako demonstrated how to mount the Japanese paper onto our substrate.
And then we all asked lots of questions and took lots of notes. [When you have a unique opportunity to learn from someone like Mako, you try to ask as many questions as possible!]
I wasn’t able to spend a full afternoon in the studio, so [...]
Nihonga Day 8
Filed in Every day art, art and faith, in the studio, 7.21.10, 7:22 pm by shansToday
We all experimented more with our newfound knowledge of Nihonga materials.
Meet Peggy: a superstar Nihonga painter. :)
I love seeing what everyone comes up with!
First, I returned to my experiments and added white pigment (mixed with glue).
Then I spent some time lightly sanding the top surface (on the left side) on one of my pieces. Then [...]
Nihonga Day 7
Filed in Every day art, art and faith, in the studio, new work, 7.20.10, 8:55 pm by shansToday
Mako talked more about minerals [passionately]
like Azurite blue
and he tried out my microscope.
So then we each took our turn, ooohing and ahhhing at the sparkly minerals. It felt like going on a treasure hunt!
Then it was time to get down to business. First thing on the list: getting set up in a new space.
It was [...]
Nihonga Day 6
Filed in Every day art, art and faith, in the studio, new work, 7.19.10, 7:51 pm by shansToday:
We learned how to make rice glue
(which looked a lot like tapioca).
Jess made a batch of oyster shell white on her own
and Laura worked hard on experiment pieces.
It’s a brand new week, which means brand new experiments! I set up a new batch of 5 4×4″ pieces to work on.
For the first layer on each, [...]
Nihonga day 5
Filed in Every day art, art and faith, in the studio, new work, 7.18.10, 1:09 am by shansToday was probably my favorite day so far.
Mako showed us how to grind oyster shells,
add glue,
and taking the mixture, pound it and roll it to a good consistency - this makes the “best” white pigment. Fascinating huh? White pigment from oyster shells. Who knew?!
Then we began the process of making color. (but only as a [...]